Rethinking African Cultural Production
(eBook)

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Published
Indiana University Press, 2015.
Format
eBook
Status
Available Online

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Language
English
ISBN
9780253016034

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Citations

APA Citation (style guide)

Kenneth W. Harrow., Kenneth W. Harrow|AUTHOR., & Frieda Ekotto|AUTHOR. (2015). Rethinking African Cultural Production . Indiana University Press.

Chicago / Turabian - Author Date Citation (style guide)

Kenneth W. Harrow, Kenneth W. Harrow|AUTHOR and Frieda Ekotto|AUTHOR. 2015. Rethinking African Cultural Production. Indiana University Press.

Chicago / Turabian - Humanities Citation (style guide)

Kenneth W. Harrow, Kenneth W. Harrow|AUTHOR and Frieda Ekotto|AUTHOR. Rethinking African Cultural Production Indiana University Press, 2015.

MLA Citation (style guide)

Kenneth W. Harrow, Kenneth W. Harrow|AUTHOR, and Frieda Ekotto|AUTHOR. Rethinking African Cultural Production Indiana University Press, 2015.

Note! Citation formats are based on standards as of August 2021. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.

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Grouping Information

Grouped Work IDed294227-7eb7-67af-abcf-bce0b748c03d
Full titlerethinking african cultural production
Authorharrow kenneth w
Grouping Categorybook
Last Update2021-09-16 21:56:11PM
Last Indexed2021-10-15 03:35:41AM

Book Cover Information

Image Sourcehoopla
First LoadedMay 18, 2021
Last UsedAug 28, 2021

Hoopla Extract Information

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    [synopsis] => Frieda Ekotto, Kenneth W. Harrow, and an international group of scholars set forth new understandings of the conditions of contemporary African cultural production in this forward-looking volume. Arguing that it is impossible to understand African cultural productions without knowledge of the structures of production, distribution, and reception that surround them, the essays grapple with the shifting notion of what "African" means when many African authors and filmmakers no longer live or work in Africa. While the arts continue to flourish in Africa, addressing questions about marginalization, what is center and what periphery, what traditional or conservative, and what progressive or modern requires an expansive view of creative production.
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